Jane Austen Need Not Submit
filed in Publishing Industry, Self Publishing on Nov.02, 2010
Professor Kathryn Sutherland (who teaches at Oxford University) recently studied over 1,000 original handwritten pages of Jane Austen’s writing and discovered the author was a poor speller, often misused punctuation, and committed a wealth of other “sins” that earn a beginning writer rejection letters from publishers. (For more about Austen’s writing problems, visit NPR.)
Of course this raises a question: Is there something wrong with current publishing practices if someone like Jane Austen couldn’t get past the gatekeeper at any of the presses that now reprint and sell her novels?
And how many other Jane Austens are there out there right now who’ll never see their stories published because they fail to employ the right form of “their” in a sentence or use too many exclamation marks?
The solution for the writer is to hire someone to pre-edit their work. But one still has to wonder if perhaps publishing houses are looking at the wrong things when deciding whether or not an author’s story has any merit.
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When not brow-beating publishing houses, Duncan Long is a freelance magazine and book illustrator for HarperCollins, PS Publishing, Pocket Books, Solomon Press, Fort Ross, and many other publishers and self-publishing authors. See his book illustrations at: http://DuncanLong.com/art.html
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November 5th, 2010 on 3:58 am
When Jane Austen was penning her delightful and sometimes brilliant novels, which are now to us a bit of important social history, there were not another 60 or so million people competing with her for attention.
Whether or not her writing was correct, it was valuable – then and now – for what it said, and how it said it, but not necessarily the accuracy of its spelling and grammar.
Today, we know that social history is being recorded in more than just one way – novels have a rather different role. Everyone who has a story and can tackle MSWord has written a book, so there are many many millions of Jane Austens, if you like.
Then, it was a matter of publishing what was written. Now, it’s a matter of having to draw the line somewhere.