The Evolution of a Graphic Novel Cover Illustration
filed in Book Cover Illustrations and Artwork, Graphic Novels on Mar.02, 2011
I thought I’d show the progression of the covers created for the upcoming graphic novel Werewolves of New Idria (available from Moonstone Books).
Up front: NORMALLY I don’t go through this many ideas to get to the final book cover illustration. This project proved a challenge and generated bunches of different versions for the cover artwork. While I’ve got eight here, I’m only showing some of the major modifications and proposals. Imagine about ten variations for each of the ones shown and you’ll get an idea of the work involved to finally get to the final version.
The most ironical part to this story is that the final cover came from a poster I created for the book.
We should have started with the poster.
I’ll start with the FINAL version of the Cover for Werewolves of New Idria:
Now we’ll travel back in time to the first version of the cover:
This proved too static and there was some disagreement as to whether the werewolf should be wearing combat boots (there’s a joke here somewhere, I know). And the wolf head seemed too warm and fuzzy. (Note to illustrators: Wolves have a natural grin, so it’s hard to make them look like real wolves while still having an ominous disposition).
The next version:
Still too static. And still the combat boots. But better with a pretty gal. Onward:
Uhhhmmmm… No. I’m not sure I ever even submitted the above cover for the author or publisher to inspect, but include it to show how wrong an illustrator can go when left to his own devices.
But the motorcycles (taken from a concept illustration I did for the book version the graphic novel is based on) did seem to be working so they got boosted a bit for the next version:
Closer. Notice how the wolf shown above is almost smiling again. Oh, no… Next:
Something from the reach-out-and-grab-you school of illustration. Obviously this isn’t working too well; time to lose this version of the werewolf.
The eyes and sword in the above version were looking good. Finally something that would work – though not everyone was happy with it so I decided to add some fangs….
…and seemed to loose some ground. I retained the eyes and sword and returned to the bikers in the dark which everyone who saw the previous versions seemed to like.
For a time the illustration above was the “final” cover with a few variations in color including green, red, and a combo with a gradient of red to blue. This one would have worked and perhaps is a toss up with the final cover that was generated from the poster. Here it is again:
My question: Which one would you have picked? Input appreciated via the “comments” section below.
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In addition to producing a gazillion variations of illustrations for this graphic novel, Duncan Long often creates book cover illustrations for publishers including HarperCollins, Pocket Books, Solomon Press, ILEX, Fort Ross, PS Publishing, ISFiC Press, and many self-publishing authors. He’s hoping to get started on the artwork for another graphic novel in a few months — possibly with fewer stabs at creating the final graphic novel cover illustration. See more pictures from Werewolves of New Idria at Duncan Long’s Werewolves of New Idria Gallery
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March 3rd, 2011 on 11:07 am
I think you ended up with the right choice. The almost cover is nice in its own ways too, but the spacing of things in the final is better. I also like the blood splats in the one 4th from bottom, but really unnecessary in the final piece. You can use those for someone else’s novel… though you could put a splat under the Moonstone logo. You know how this goes. You can make revisions forever if you really want to do that. The final looks great!
March 3rd, 2011 on 12:10 pm
Yes, revisions are never ending if one isn’t careful, whether writing a book manuscript or polishing a graphic novel cover illustration. Several great artists have alluded to the notion that a work of art is never finished as much as it is abandoned. I think that’s a far assessment of the process much of the time.
As the changes become more and more incremental, one needs the good sense to say “enough is enough” and go on to the next project. A good artist must be somewhat of a perfectionist. But only somewhat.
March 3rd, 2011 on 1:22 pm
Nice job on the final version, Duncan. My favorite though is the close-up eyes with blood splatters. It’s beautifully simple and balanced, and lends an air of true mystery. Colors work great too, the red of the blood catches your eye and then you see what made them!
March 3rd, 2011 on 1:31 pm
Very interesting! What a lot of work!
March 3rd, 2011 on 9:12 pm
I think the final one is my favorite because it entices me to want to know what the story is about. Who’s the guy in the middle of these hell’s angel types – what are they doing? And what about the wolf and the sword? I wanna read that book.
March 3rd, 2011 on 9:36 pm
Hi, Duncan. I prefer the “almost final” version as the red and orange is a bit too intense for me. Also I feel it is more mysterious and draws me in more. The more before that, with the fangs, is interesting as well. The fangs seem to have a depth to them, leaping off the page… more fear in that one, but then I am a bit of a minimalist.
How long does it take to bring a book cover to completion. I know the client has a lot to do with the time frame waiting on approvals feedback, changes and so forth, but on average how long… Mr. Long.
March 3rd, 2011 on 10:08 pm
Though this is not a genre I would ever consider reading, I would say that your final cover design is the best of the lot. There is a lot of action and the color will attract attention. I like the ‘progression’ from the top of the page to the bottom. It seems to flow easily from title to sword to eyes to the street scene. A job well done!
March 4th, 2011 on 8:30 am
I would have picked the eyes with the blood dripping down at the bottom. I like the simplicity, yet it drives home the main theme. But I also li9ke the final version, if you think it necessary to give more info about the story.
Nice job.
March 4th, 2011 on 10:08 am
@R. K. Aaln: Typically a cover takes about two weeks from the time the contract is finalized to get hashed out. The Werewolves of New Idria was a real exception to this rule as the variations show stretched over several month (but not of continuous work, of course — I was drawing the inner illustrations as well as handling other book cover work).
I guess the bottom line is that every project is different — which is one reason I really enjoy the illustration business.
March 4th, 2011 on 2:56 pm
I must agree that the “blue” almost-final is the best one on the eyes.
However, what it looks like as a “print book cover” might change that. I’ve noticed some book covers present vastly different in print form than they do online.
Either way, awesome illustrations!