Odds and Ends: Book Cover Illustrations & Artwork
filed in Book Cover Illustrations and Artwork on Mar.30, 2012
I’ve done a number of book covers the last few months that were pretty straight forward and thus no stories to tell (or tall tales to make up… even the flying monkeys are stumped). So I thought I’d just list/show them here without further ado.
First, the dust jacket version of P. J. O’Dwyer’s Relentless: which I created the cover illustration for as well as doing the layout.
I also created the layout and illustrations for two covers for J. B. Lifflander’s new novels (published by AsGold Media). These are interesting in that we’ve employed a second landscape illustration for the back covers, enlarging elements from the front cover:
A “theme notebook” for Eugene F. Moynihan, Jr. and Richard F. Quis’ Thinking Anew, a manual for helping those suffering from PTSD (Post Traumatic Stress Disorder):
World Marketing Group needed a utilitarian cover for its Lottery System manual:
And finally, an illustration for the cover for Cameron Leigh’s upcoming science fiction novel (whose title is undecided right now — I hope to update with more information on this book later):
And that’s a wrap, as they say.
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When not swatting at the flying monkeys in his studio, Duncan Long designs book cover, generally creating the illustrations as well. His artwork has appeared on a number of books from self-publishing authors, small publishing houses, as well as large presses including Pocket Books and HarperCollins. You can find many more of his artwork at: Duncan’s Book Illustration Portfolio
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March 30th, 2012 on 9:22 am
Love the cover for Mustard Seeds Duncan :)
March 30th, 2012 on 9:40 am
Thanks, Jack. It’s based on some photos I took on the central plains in Kansas where the flatland gives way to steep hills, coupled with some cloud pictures I took in Eastern Kansas. All painted together (and of course the lightning is painted since my ability to snap a photo of a lightning bolt are slime to none).
The trick in painting this was to keep it as photographic as possible. Sort of a photo of something that never was.
When I was working on the layout with the text, I decided first to place the title at the top of the cover in its conventional spot. To make it show up a tad better, I painted gray clouds over the white and blue. I got a frantic call from the editor telling me one reason they liked the picture was because of the white clouds at the top.
So the clouds returned and the title and author name got moved into the center of the gray cloud section already there.