Why My Face Appeared On a National Tabloid
filed in Magazine Illustrations on Feb.21, 2012
As noted in my previous post, I sometimes create illustrations for newspapers, magazines, tabloids, and non-fiction books. In the case of historic figures, there’s often no reliable references to what the person looked like, and few historic paintings as well. In such cases an illustrator is often called upon to recreate the figure, working on very sketchy details.
Yet the finished picture must look “real” to the viewer and ideally will capture some of the mystery or personality of the historic personality,
I often use models and photo references for my digital paintings. Occasionally this can lead to amusing results.
One such time occurred when I employed myself as the model for a Sun tabloid story about Nostradamus. About all the specs they had were based on one old painting that might — or might not — have actually looked like this cryptic and perhaps visionary writer.
Basically, he was an old guy with a beard and a long nose.
Well, as the flying monkeys in the studio will tell anyone who asks, there’s one old guy who works here that meets these requirements. So I was enlisted to provide the reference photo — shown below.
Originally the Sun‘s art director’s plans called for “Nostradamus” to be holding a book (hence the pose in the reference photo). However we soon modified the concept to be just a closeup of the prophet’s face. After lengthening his/my hair and beard, etching in wrinkles, and altering his nose a bit, the illustration was completed (and inhouse became known as “NostraDuncan”).
I work on a number of projects at any given time, often leaving family members blissfully unaware of the chaos that’s ensuing on book and magazine covers around the world as my illustrations make their way to various presses. This means that the first time a cover illustration might be spied by relatives is when it appears at its final destination.
In the case of this portrait of Nostradamus, the surprise was sprung on the artist’s spouse as she checked out at Walmart. Waiting in line, she was horrified to discover that, up and down the checkout lines, right there on the front of the Sun tabloid, was her husband’s sorry face. Or at least close enough to his sorry face to be recognized as him.
A moment of fear gripped her heart as she wondered if the story might be about a missing ax murderer, an alien in human form, or the like. Imagine her relief to discover it was only the portrayal of a respected historic figure.
Whew!
Such experiences teach a spouse not to panic.
Readers with an eye for detail will notice that 2003 didn’t prove to be the year Armageddon happened.
But there’s always 2012, right?
====================
Duncan Long creates illustrations for both fiction and non-fiction books, tabloids, and magazines. His illustrations have appeared on magazine and book covers from the Sun, HarperCollins, Pocket Books, Asimov’s Science Fiction, Enslow Publishers, and many other presses and self-publishing authors. Enjoy more of Duncan’s illustrations at: Duncan’s Art Portfolio
=====================
February 21st, 2012 on 12:41 pm
Nice one Duncan. I always knew your talents went beyond the artistic. :)
February 21st, 2012 on 1:21 pm
Always good to make money with the legal talents…
February 21st, 2012 on 1:28 pm
Reading the dire predictions of war and so forth… and the need for survival tips, I suppose it is doubly ironic that I also wrote THE SURVIVAL BIBLE currently available from Delta Press: http://www.deltapress.com/survival-bible-p-373.html
February 22nd, 2012 on 5:45 am
That would be funny, I think, to see someone I knew on the front of a tabloid! Great artwork, Nostra-Duncan. What do you predict for 2012? I hope your predictions include “great success.”
February 22nd, 2012 on 7:49 am
NostraDuncan’s predictions for the rest of 2012: Fair and warmer until winter when temperatures will drop. Reverse this prophecy for the southern hemisphere — or stand on your head.
February 22nd, 2012 on 10:34 am
Love your work and predictions, NostraDuncan! Thank you so much for sharing this behind-the-scenes look at all that goes into the finished product. I think I see some resemblance of you in other characters in your portfolio too. Super neat! Your artwork is incredibly beautiful…and handsome too. =)
February 22nd, 2012 on 10:40 am
Thanks for the kind words Angela. Sadly, I most resemble the monstrous characters :o)
February 22nd, 2012 on 11:01 am
I love how you use your face in many of your paintings. This doesn’t seem common to me, is it?
February 22nd, 2012 on 11:44 am
I think it’s more common than one might suspect. Certainly artists have traditionally done a lot of self-portraits simply because they couldn’t afford to hire models. Living in an age when photo references can be used, this isn’t as much a problem — but still is a quicker way to secure the “rights” to a sorry face when one is needed. In the past I’ve also made appearances as Judas Iscariot and the Antichrist. I’m not sure what this tells you about my personality. It does, however, explain why I kick the dog.
February 22nd, 2012 on 4:54 pm
Duncan, you never cease to amaze me with your talent as an illustrator and writer. You remind me of the guy on the Dos Equis commercials, your words would break a lesser mans jaw.
February 22nd, 2012 on 4:59 pm
Jim, very kind comments.
February 22nd, 2012 on 8:54 pm
That’s hilarious, Duncan! At least they didn’t use your illustration for an “infamous” historical figure that people hate. :P
-AJ Vega
February 24th, 2012 on 7:11 pm
Great article for a great story of a great illustration, Duncan!
That was one of those, “I never thought about it but now I’ve always wondered about it” things. Thanks for clearing up a mystery. (And I must say, even from what little I’ve seen of Nostrildamus, you look much handsomer.)
Just curious–your illo here looks much more like a painting whereas the one on the printed cover looks more like a photo. Is that just a function of the (low-quality) printing of the tabloid, or were there adjustments made between the two?
Thanks again, and best of continued success…I’ll be looking for your mug whenever I’m at the checkouts.
February 24th, 2012 on 7:31 pm
Mike: That’s a good question about the processing of the picture to get a more photographic look. The digital painting here is the one I sent.
What happened to it after then, other than cropping to place it with the explosion and over a dark background, I am uncertain. Part of the effect might simply be that we’re used to seeing photos in tabloids and thus tend to see them as such. It is sort of amazing how our brains tend to filter what we’re seeing through expectations. However I’m not certain that’s the actual explanation.
Great, one more thing to ponder over!